Latest Stories
Most recently published stories in Critique.
What Is the Difference Between Amusement and Art?
Human beings constantly produce objects, images, sounds and stories that attract attention and provoke reaction. Some of these experiences are described as amusement or entertainment, while others are called art. The distinction between the two has long occupied philosophers, critics and creators, yet the boundary remains uncertain. Both can delight, disturb, inspire or exhaust the human senses. Both are built from the same physical materials: pigment on canvas, vibrating air in music, words on a page, or moving light on a screen. The difference therefore cannot lie in the material itself. The same paint can form a masterpiece or a decorative poster; the same sequence of sounds can be a symphony or a jingle. The difference emerges from how humans use and experience these objects.
By Peter Ayolovabout 11 hours ago in Critique
Doechii Will Not Apologize For Disliking Cats
I don’t like cats. I like the idea of them; they’re independent, agile, and selfish. All traits that a human being should hold. However, as domesticated animals, they’re nasty, overbearing, and insolent despite their furry (sometimes), cuddly demeanor.
By Skyler Saundersabout 15 hours ago in Critique
Jay-Z's Phone Call With Michael Eric Dyson Is Causing Quite The Stir
Dr. Michael Eric Dyson aka “Soul Glo” jumped on Akademiks live and explained his position on the Drake vs Kendrick Lamar feud. His appearance detailed his conversation with Jay-Z concerning their disagreement with what the battle was really about.
By Skyler Saundersabout 15 hours ago in Critique
Misdirection
Ahem... I know that it might seem strange that I am one of the people lifting a glass to wish a toast to the happy couple, but I have been told to do this in order to take up your time and make sure that we are all very much in our cups. They decided that they wanted to hit the road and they needed me to wish them all the best.
By Kendall Defoe a day ago in Critique
Do we really need AI videos?
By now, you’ve likely seen what the latest AI video model, Seedance 2.0, can do. If you haven’t, just look around. The videos flooding your feed—the ones with perfect lighting, cinematic depth, and hyper-realistic motion—they’re not real. They were all generated by AI.
By John Zhang2 days ago in Critique
‘We have enough’: Godfrey renews call for Black entertainers to stop seeking white validation after BAFTAs, praises Image Awards
DEI must die. It’s been far too long for Foundational Black Americans (FBA) and tethers to come up and say things like #OscarsSoWhite. So what? NAACP Image awards are about RAH, Representation, Agency, and Honor. Black people have to stop crying about their snubs at award shows that often overlook them.
By Skyler Saunders3 days ago in Critique
Cardi B Cans Feud With Trump Advisor Over Nicki Minaj Bot Claims Out Of Paranoia
If you had the might of the United States government breathing down your neck, you’d retreat, too. Cardi B has taken to social media to proclaim that she wants no problems with President Trump advisor Alex Bruesewitz. She claims that she is protecting herself and family from possible attacks waged by the White House.
By Skyler Saunders3 days ago in Critique
"The Shell in the Ghost, I Am Major"
In 2017, Hollywood did something predictable and scandalous at the same time: it remade the Japanese cyberpunk classic Ghost in the Shell and placed a blonde American star at its centre. The actress was Scarlett Johansson. Critics argued about cultural appropriation, about empire, about whether the United States had once again absorbed a foreign myth and refashioned it in its own image. Yet beyond the controversy, the American Ghost in the Shell remains a philosophically provocative film. It forces a simple but radical question: what is a human being made of?
By Peter Ayolov4 days ago in Critique
The Theory of the New Leisure Class
The Theory of the New Leisure Class: Homo Essentialis Thorstein Veblen wrote The Theory of the Leisure Class in 1899 to describe a social order in which status was displayed through visible idleness and conspicuous consumption. More than a century later, idleness has disappeared as a badge of honour, yet Veblen’s central insight has only intensified. The ruling class of the twenty-first century does not sit idle; it performs busyness. It does not withdraw from work; it transforms work into theatre. What we are witnessing is not the disappearance of the leisure class but its mutation. This is Leisure Class 2.1. This is Homo Essentialis.
By Peter Ayolov4 days ago in Critique
